Martin Ashley Architects provides a full range of architectural and surveying services to assist owners, occupiers and custodians of historic buildings and estates towards their conservation, repair, adaption, alteration, change and development for ongoing beneficial use in the 21st Century. The range of buildings within our portfolio has allowed us to develop significant expertise in historic building conservation design and techniques over many years.
At Buckingham Palace, for example, our experience of conserving historic stonework and care in sourcing new materials addressed a problem that had been unresolved for over 150 years. At Hampton Court, the Anne Boleyn Gates show how we can work with a range of materials - in this case timber - to introduce beautiful new features within important historic settings.
Meanwhile The Canons' Cloister shows how a forensic approach to building conservation has restored important Medieval buildings and reversed a series of damaging interventions.
At Buckingham Palace, for example, our experience of conserving historic stonework and care in sourcing new materials addressed a problem that had been unresolved for over 150 years. At Hampton Court, the Anne Boleyn Gates show how we can work with a range of materials - in this case timber - to introduce beautiful new features within important historic settings.
Meanwhile The Canons' Cloister shows how a forensic approach to building conservation has restored important Medieval buildings and reversed a series of damaging interventions.
Services
Martin Ashley was a Scholar with the Society for the Protection of Ancient Buildings in 1976, following which experience gained assisting upon Ely Cathedral and major houses for the National Trust in East Anglia laid the ground for a career helping client organisations with their historic buildings and estates.
Notable amongst these are: The Royal Household, The Crown Estate, The Royal Parks Agency, Historic Royal Palaces, and the Church.
Martin is Surveyor of the Fabric to St George's Chapel, Windsor Castle, and to The Old Royal Naval College in Greenwich.
Notable amongst these are: The Royal Household, The Crown Estate, The Royal Parks Agency, Historic Royal Palaces, and the Church.
Martin is Surveyor of the Fabric to St George's Chapel, Windsor Castle, and to The Old Royal Naval College in Greenwich.
During her academic studies, from 2002 to 2004 Francesca worked for Studio Tecnico Basso (Treviso, Italy) as CAD and surveyor assistant.
Prior to joining Martin Ashley Architects in 2011, she worked as architectural assistant for Studio Architetti Avon Associati and was involved in several conservation projects including the Restoration of the Dome and the New Christian Museum in Cividale del Friuli, Udine, Italy in 2007-08; Conservation of Economo Palace in Trieste, Italy in 2009 and Restoration of Savorgnan Castle in Artegna, Udine, Italy in 2009-10.
Prior to joining Martin Ashley Architects in 2011, she worked as architectural assistant for Studio Architetti Avon Associati and was involved in several conservation projects including the Restoration of the Dome and the New Christian Museum in Cividale del Friuli, Udine, Italy in 2007-08; Conservation of Economo Palace in Trieste, Italy in 2009 and Restoration of Savorgnan Castle in Artegna, Udine, Italy in 2009-10.
Luisa graduated in Architecture from the UPB University (qualifications equivalent to part 2 ARB/RIBA) in Colombia in 1995.
Prior to moving to England, Luisa worked for several firms as a project architect before setting up her own practice in Colombia, specialising in providing planning advice and domestic architecture design.
Luisa worked for MRDA on the Truro Cathedral, The Priory Church of St. John, and a number of smaller regional churches.
In 2005, Luisa joined MAA started work on a number of major projects including Hampton Court Palace, Windsor Castle, Bushy Park, Whitstable Castle and was project architect for a new nursery building in Canterbury.
Prior to moving to England, Luisa worked for several firms as a project architect before setting up her own practice in Colombia, specialising in providing planning advice and domestic architecture design.
Luisa worked for MRDA on the Truro Cathedral, The Priory Church of St. John, and a number of smaller regional churches.
In 2005, Luisa joined MAA started work on a number of major projects including Hampton Court Palace, Windsor Castle, Bushy Park, Whitstable Castle and was project architect for a new nursery building in Canterbury.
Prior to moving to England Emily worked for the W-Group, an Interior Design firm in Nashville, Tennessee, specialising in high end commercial interiors where projects included the Hotel Hershey in Hershey, Pennsylvania.
Since joining MAA, Emily has worked on a wide variety of projects, including multiple phases of refurbishment to the Canons Cloister at Windsor Castle for the Dean and Canons of Windsor, Restoration of the East Quadrangle Elevation at Buckingham Palace for the Royal Household and work for other clients including Historic Royal Palaces, the Greenwich Foundation and the Royal Museums, Greenwich.
Since joining MAA, Emily has worked on a wide variety of projects, including multiple phases of refurbishment to the Canons Cloister at Windsor Castle for the Dean and Canons of Windsor, Restoration of the East Quadrangle Elevation at Buckingham Palace for the Royal Household and work for other clients including Historic Royal Palaces, the Greenwich Foundation and the Royal Museums, Greenwich.
Martin Ashley Architects offers a full range of services to owners and custodians of historic buildings, as well as clients looking for contextual new design.
As specialist historic building conservation architects and surveyors, our work is informed by a strongly held belief that the essence of conservation is to recognise and interpret the ongoing process of change that has occurred to buildings throughout their history, and to enable that process to continue in an informed and intelligent way.
As specialist historic building conservation architects and surveyors, our work is informed by a strongly held belief that the essence of conservation is to recognise and interpret the ongoing process of change that has occurred to buildings throughout their history, and to enable that process to continue in an informed and intelligent way.
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